In the slacker romance of ``UFO,'' a bright young woman realizes that her moody, acid-dropping boyfriend just might be really crazy. ``Camp'' and ``The Black Forest'' unerringly capture the drama of girls in search of experience: a young camper who tries to seduce an awkward brainiac like herself and a naive college freshman who's overwhelmed by her reading of Nietzsche. The narrator of ``The Dead Rabbits'' recalls a horse-riding accident at age ten, an incident that made her realize her father's inability to protect her from all harm. In ``The Tunnel,'' a young girl discovers the pleasures of lying when she disobeys her father's warning about running through a dangerous tunnel. That can't be said, though, of the narrator of the title piece-an old woman whose life was forever altered when her older cousin raped her many years ago, an incident that has also haunted her other cousin, a helpless witness to the event. Most of Kennedy's stories, regardless of time or place, record the loss of innocence by young women and girls who don't necessarily regret their passage into adulthood. Despite her cutting-edge credentials-editor of a hip 'zine, star of an offbeat cable show, writer for The Nation and The Village Voice-Kennedy's literary debut is a modest, rather conventional collection of ten stories, a few of which have appeared in The Quarterly, Story Quarterly and VLS.
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